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Wittgenstein's Mistress
''Wittgenstein's Mistress'' by David Markson is a highly stylized, experimental novel in the tradition of Samuel Beckett. The novel is mainly a series of statements made in the first person; the protagonist is a woman named Kate who believes herself to be the last human on earth. Though her statements shift quickly from topic to topic, the topics often recur, and often refer to Western cultural icons, ranging from Zeno to Beethoven to Willem de Kooning. Readers familiar with Ludwig Wittgenstein's ''Tractatus Logico-Philosophicus'' will recognize stylistic similarities to that work.
Though Markson's original manuscript was rejected fifty-four times, the book, when finally published in 1988 by Dalkey Archive Press, met with critical acclaim. In particular, the ''New York Times Book Review'' praised it for "address() formidable philosophic questions with tremendous wit." A decade later, David Foster Wallace described it as "pretty much the high point of experimental fiction in this country" in an article for ''Salon'' entitled "Five direly underappreciated U.S. novels >1960."〔("Five direly underappreciated U.S. novels >1960" ), Salon, April 12, 1999. 〕 Wallace also wrote a long essay on the novel detailing its connections with Wittgenstein, entitled "The Empty Plenum: David Markson’s ''Wittgenstein’s Mistress''" for the 1990 ''Review of Contemporary Fiction''. (It was added as an afterword〔 Both this and the ''Salon'' piece are anthologized in ''Both Flesh and Not'' (2012)〕 to the novel in 2012.)
==Allusions==
Wittgenstein's Mistress is heavy with allusions, references, and parallels right from the title. Several of these include, but are not limited to: Vincent van Gogh, William Gaddis, Ludwig Wittgenstein, Helen of Troy, Achilles, William Shakespeare, and Johannes Brahms. Many of these are used to play with the themes, particularly language and memory, and draw parallels between the narrator, Kate, most notably Helen of Troy.
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